.... to the novel. It would seem that Fowles is trying to be fair to all of the characters by including the various endings which satisfy all of them. Fowles comments that the job of a novelist is "to put two conflicting wants in the ring and describe the fight", which is essentially what he has done. However it is hard to decide for whom to fix the fight in favor of when one owns both fighters. Fowles also briefly mentions allowing "freedom of characters" in his writing. This concept is somewhat vague. To allow freedom of characters is to essentially allow t .....

.... the author to integrate the test of each individual attribute into a central theme, or rather one overall test, the test of chivalry. To establish the knight as worthy, the author first shows Gawain's loyalty to his king. The Green Knight challenges anyone in the hall to the beheading game and no one takes him up on it. Arthur, angered by the Green Knight's taunting, is about to accept the challenge himself when Gawain steps in saying "would you grant me this grace" (Sir Gawain, l. 343), and takes the ax from Arthur. This is a very convenient way for the .....

.... around the neighborhood about Boo. “When I got there, my breeches were all folded and sewn up”(pg 63) When Boo sewed Jem's breeches together, this was a sign from Boo to let the children realize what a kind and pleasant man he really was. Also, Boo was considerate enough to save Jem from a couple of whippings, because after all, if Atticus were to see the torn pants he would have known Jem was the culprit in the Radley's yard. “You were so busy looking at the fire, you didn't notice Boo behind you”(pg 76) This was also a symbol which Boo shared to let th .....

.... Stanley Kowalski’s first exhibition of his brutal actions occurs at poker night. Blanche turns on the radio, but Stanley demands her to turn it off. Blanche refuses and so Stanley gets up himself and turns it off himself. When Stanley’s friend, Mitch, drops out of the game to talk to Blanche, Stanley gets upset and he even gets more upset when Blanche flicks on the radio. Due to the music being on, Stanley, in a rage, stalks in the room and grabs the radio and throws it out the window. His friends immediately jump up, and .....

.... I swear to thee by Cupid’s strongest bow- Tomorrow truly will I meet with thee" (Act 1, Scene 1). Helena is one of the silliest character’s in the play, and at times can be quite irritating. Demetrius shows no love for her, yet she persists in chasing him. "And even for that do I love you the more. I am your spaniel; and, Demetrius, the more you beat me, I will fawn on you" (Act 2, Scene 1). These characters are a true definition of "love sick." All of them appear to be in love with love, more so than in love with each other. They all frantically run .....

.... Sammy are innocent yet in different ways. The girls seemed to be different to Sammy as they looked and acted as though they did not live in his town. The girls were ignorant of Sammy's local culture as they seemingly had spent the day at the beach, and had not lived in his town nor spent much time in it at all. "The one that caught my eye first was the one in the plaid green two piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it"(79). John Updike has Sammy describe these girls in .....

.... of his own, being taught by the French, and disregarding everything they have taught him to learn for himself the lessons of French society. The Child of Nature comes into the French society with no worldly knowledge of his own or beliefs. He is a spontaneous, curious young Huron and is viewed as quite naive. The French feel that they can easily mold him into their society. All he has are his youthful charming looks, "HE was hatless, and hoseless, and wore little sandals; his head was graced with long plaits of hair; and a short doublet clung to a trim and supp .....

.... in herself. She also has an extensive habit of knitting, which will become a significant theme in the novel. Madame Defarge spends most of her days, weeks, and years before the revolution sitting in her wine shop, knitting a list of names. This list of names is a register of those she's marked for death, come the revolution. This hobby links her closely with the reoccurring theme of fate, while all she knits is death into her list. These names are mainly the ones of the French aristocracy who she plans to kill. The reason behind her vulgar temptations .....