.... The waiter treats him like an obstacle as if he is slowing down his life. The second waiter introduced is a middle-aged man. He does not say much, but it seems as though that this is because he does not want to get in a fight with the younger waiter. All he does is ask the young waiter questions, as if the middle-aged waiter was sort of stuck in a catch twenty-two. The middle aged man felt for the old man but could not express his feelings to the younger waiter. Lastly, there is the old waiter. He is some where around the age of the old ma .....

.... The American people also understood very little about the war. Understanding this puts anti-war protests in perspective; the American people could not envision the death and mutilation of children. American intentions in Vietnam were muddled, thus forces were misguided and outcomes were unfavorable. Originally the American presence in South Vietnam was mainly to push for the social betterment of the Vietnamese people. Soon however, an offensive stance was required in the face of socialist expansion into the region. America feared that communist contr .....

.... Sartorises and the de Spains were glorified and praised for honors that their family members had achieved during battle. The honor that families like these were granted placed them in public offices, and gave them opportunities to prosper where others could only dream about. This same honor seemed to carry on to those who shared the names of the great war heroes. “‘Hey', the Justice said. ‘Talk louder. Colonel Sartoris? I reckon anybody named for Colonel Sartoris in this county can't help but tell the truth, can they?'” (Kennedy 163). On the other hand, .....

.... important aspects of the set is the chandelier. It comes crashing down at the end of Act One with a powerful force which is not only visualized but is accompanied by a thunderous noise which echo's throughout the theatre. The lighting is also masterfully used to enhance the magical yet mystical setting of the show. A large portion of the lighting is actually more like shaping the darkness. Unlike many other Broadway shows, the Phantom is a show which needs to use less lighting in order to establish the full character of the Phantom. Lights are used in a way t .....

.... the man replied, 'leave it alone for one more year, and I'll dig around it and fertilize it. If it bears fruit next year, fine! If not, then cut it down.'" Luke 13: 6-9 (NIV). People find themselves at many points in their lives where there is no fruit being borne. These are our down times. Down times come for many reasons such as we're not trying, we're trying too hard, we're doing the wrong things, or we're doing the right things at the wrong time or in the wrong way. Either way, every Christian experiences them at some point in their lives.They come to pasto .....

.... Dr. Beverly Hill discussed how writers from different cultures often have distinct rhetorical traditions on which they base their writing. One of the examples she used was the oral tradition of many African tribes which led to the adoption of the parable as a means of passing along information. Parable and storytelling became a teaching tool to pass along cultural and moral values from generation to generation. The slave experience in America transformed the oral tradition but did not destroy it, as African-American slaves adapted the old stories and developed .....

.... me!’—Holding hard her hand.” It is pathetic that this is the last wish of a dying man. Hardy’s use of consonance allows the reader to understand the man’s feelings. Next stanza the tone changes again, to one of pity for the woman who sells her soul “to be a moment kind.” Regardless of whether the woman decides to marry, the man will die. Eventually, her sympathy for the man overwhelms her conscious and she marries him, leaving herself with a feeling of shame. The author’s tone presented throughout the poem .....

.... (Lowell 11) being watched. Even if the occupants of those cars knew they were being observed, chances are they would not associate themselves with the speaker. In addition, Robert Lowell portrays his character as something akin to a stalker, illustrated in the following excerpt. One dark night, my Tudor Ford climbed the hill’s skull; I watched for love-cars. (Lowell 25-27)   Why would anyone be out alone, searching for lovers who do not desire intrusion? The speaker answers this question i .....