.... and entertainment by way of scops in meadhalls. The meadhall of the story is Heorot and they describe it saying, "The great hall rose / high and horn-gabled" (l. 55-56). The phrase ‘horn-gabled' is referring to the group called the Scyldings which were always associated with the stag. They also probably decorated the hall with horns. Some further elements of the setting are the geographical features. The story mentions many places such as the misty moors, the marshlands, and the wastelands. These places are all dangerous and uninhabited by humans so tha .....

.... experienced poverty, the ill-temper of his mother, and the absence of his father. By 1798 he had inherited the title of 6th Baron Byron and the estate of Newstead Abbey. Once hearing this news, he and his mother quickly removed to England. All of Byron's passions developed early. In 1803 he had his first serious and abortive romance with Mary Chaworth. At the age of15 he fell platonically but violently in love with a young distant cousin, Mary Duff (Parker 10). He soon had another affair with a woman named Mary Gray. Soon hereafter he was involved with man .....

.... and further publication of controversial and/or anti-government materials through his publishing house, New Directions. By using poetry, Ferlinghetti was able to reach a vast audience including those whom he was criticizing. Through his poetry, Lawrence Ferlinghetti blatantly and subtly criticized the American democratic system and politicians. In 1957, Ferlinghetti received his first national attention. Ferlinghetti was arrested and brought to trial as the publisher of a collection of obscene poetry, Howl and Other Poems by Allen Ginsberg (Alspaugh 1148). E .....

.... slides on the brim, And a horse plashes within it; The long-legged moor-cocks call; Minute by minute they live: The stone’s in the midst of it all (932) Here is an example of events supporting the stone’s cause, in which the overall constancy is maintained. This constant is the underlying strive of the stone to disrupt the stream enough to cause a response that will favor the stone’s well being, that is independence. Indeed the disturbances and splashing caused by the animals represents the actual reality of the revolts in Ireland. First, is the .....

.... 2, and light, in line 4, it adds to the clarity and smoothness of the poem. Poetry, which can incorporate rhymes into the body of the poem, makes the poem catchier and easier to remember. Rhyme also displays a writers creativity and intelligence to be able to pull up words which rhyme. The use of paradoxes in Dickinson's poems is another technique which she takes advantage of in order to make her poetry interesting and enjoyable. Paradoxes are contradicting subjects or statements Dickinson demonstrates her use of paradox in several poems, the most notable .....

.... the poet can hear that suffering. When the poet talks about Sophocles and the Aegean he is clearly reinforcing the idea of the sea being the bearer of misery. The reference is to Sophocles tragic plays and the suffering that necessarily accompanied them. This image becomes powerful as the reader realizes that the poet is saying that he can hear the same message on Dover Beach that Sophocles heard so many years ago by the Aegean. He is basically saying that the nature of life doesn't change. There was suffering in the times of the Greeks, suffering in his tim .....

.... to be quite “devilish.” The beast is a representation of the angry God, as it is a combination of mystery, terror, and of wrath. The contrast of the Lamb and the Tyger also resembles the idea of when a beautiful thing like love can turn into an ugly thing like hate. The Tyger is obviously a representation of evil and of darkness. In Blake’s words, it is also apparent that the Tyger is somewhat of a puzzle, or an enigma, if you will. It is a mysterious beast with unknown origins. It seems that the Tyger is a result of something inhumane, whereas the Lam .....

.... sound around the mouth that physically spreads the oil sound around the passage. An interesting seepage can also be clearly seen when looking specifically at the words "oil-soaked", "oil-permeated" and "grease- impregnated". These words connect the [oi] in oily with the word following it and heighten the spreading of the sound. Moreover, when studying the [oi] atmosphere throughout the poem the [oi] in doily and embroidered seems to particularly stand out. The oozing of the grease in the filling station moves to each new stanza with the mention of these words .....