.... unbraced, No hat upon his head, his stockings fouled, Ungartered, and down-gyvèd to his ankle, Pale as his shirt, his knees knocking each other, And with a look so piteous and purport As if he had been loosèd out of hell To speak of horrors, he comes before me.” According to Ophelia, his apparent condition was one of distress. I thought this section interesting because although Hamlet supposedly loves Ophelia, and his act of going through her closet was out of his “love-madness” for her, it truly scares Ophelia and has the opposite affect on her t .....

.... V, Scene ix, Line 20) Malcolm fled to England and formed and army to revolt against Macbeth. Malcolm’s thoughtful cunning plan vanquished Macbeth and his rain of tyranny over Scotland. Malcolm’s brave actions were recognized when he is crowned the king of Scotland. Banquo and Duncan were both innocent and pure people. Macbeth himself says that Banquo is “...royalty of nature...” (Act III, Scene i, Line 49). Duncan praises Macbeth “True, worthy Banquo, he is full so valiant,And in his commendations I am fed;” (Act I, Scene v, Lines 54-5) showing is good, k .....

.... This inspired many of his paintings objective, to convey both visually and poetically the importance of fatherhood, the family unit and purpose. In the program he said “It is my endeavor to contribute to the illustrious history we have as a race of people. To depict strong men who love their wives and nurture their children. To visually reveal the true purpose for God’s unique people.” The title of his featured collection was The COVENANT Series: Revelations. The COVENANT Series is a compilation of work that will stand to remind us of the convenant we s .....

.... jealousy of Cassio. Iago is a non-commissioned officer who is experienced and ambitious. Instead of appointing Iago who had plenty of experience on the battlefield, Othello appoints "a great arithmetician, one Michael Cassio, a Florentine . . . that never set a squadron on the field" (1.1.19-22). Michael Cassio was more of an intellectual type, a book learner, and a student of military science. Iago only proves good at fighting, whereas Cassio has the tactical knowledge to effectively lead and win in battle. To make matters worse, Cassio is also a foreigner .....

.... Iago about his wicked plans by saying; “Disproved this villain, if thou be’st a man. He say thou toldst him that his wife was false. I know thou’rt not such a villain. Speak for my heart is full.” Iago replied; “ I told him what I thought and told no more than what he found himself was apt and true.” (Act V, sc.ii, lines179-184) Although Iago was solely responsible for the tragedy, he could not have succeeded if it was not for the gullible characters as targets for him to hit. In Richard’s case, he did not use his sources wisely. Richard underestimated the powers of women in the play, which conseq .....

.... “Now Tituba, I know that when we bind ourselves to Hell it is very hard to break with it. We are going to help you tear yourself free-” The point when Reverend Hale begins to change is in Act III during the trial of John Proctor. “I am a minister of the lord, and I dare not take a life without there be a proof so immaculate no slightest qualm of conscience may doubt it.” He starts to doubt if the very thing that he searches to rid the people of might be a lie. Let you not mistake your duty as I mistook my own...where I turned the eye of my great fa .....

.... this method. His first soliloquy, following a conversation with his recently wed mother and uncle reflect the uneasiness he feels. He feels betrayed. "O, most wicked speed, to post, with such dexterity to incestuous sheets. . . but break my heart, for I must hold my tounge." (I, ii, 156-159). Hamlet's conscience tells him what is wrong-in this case, the hasty marriage-but he is ambivalent as to how to approach it; before he meets the ghost, silence is his method. When Hamlet meets his father's ghost however, he feels sure of himself, and knows what he must do .....

.... a result of these director's different views of war, the audience receives a different experience after viewing each film. Although both Olivier and Branagh depicted the identical Shakespearean production, the result is two very different films. In 1944, at the closing of World War II, Laurence Olivier adopted William Shakespeare's script of Henry V. Using the setting, costumes, and music in his film, Olivier presented an overall idealized view of war. The cartoon-like opening, when the field of Agincourt is shown as a grassy land against a picturesque sky, s .....